Atomos SUMO 19SE - ATOMSUMSE1
  • Atomos SUMO 19SE - ATOMSUMSE1
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Was: $1,995.00
Sale: $1,979.77
MSRP: $1,995.00
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    • 19" 1920x1200 1200 nit HDR touchscreen
    • 4x 12G-SDI and HDMI 2.0 inputs
    • Live quad-channel HD switching
    • 5-channel recording (4x ISO + program)
    • ProRes RAW up to 6K 30 fps
    • 2x XLR inputs with phantom power
    • Frame guides, LUTs, scopes, overlays
    • Sold by Atomos Authorized Partner
    Item # ATOMSUMSE1
    Mfr # ATOMSUMSE1
    UPC # 814164022644
    BA # ATSUMO19SE
    AS # B09ZQ3QN8K
    AD # ATATOMSUMSE1

    Atomos SUMO 19SE Monitor-Recorder

    The Atomos Sumo 19 SE is a rugged, versatile 19" HDR monitor, recorder, and switcher engineered for on-set video village workflows. Its upgraded 1920 × 1080 IPS touchscreen delivers 1200 cd/m² peak brightness and covers the DCI-P3 color gamut, ensuring clear, color-accurate monitoring even in challenging lighting. Housed in a robust glass-fiber-reinforced polycarbonate chassis with desktop feet and VESA mounting options, the Sumo 19 SE integrates seamlessly into studio racks or field setups.

    With four independent 12G-SDI inputs and a single HDMI 2.0 port, the Sumo 19 SE accepts up to 4K 60 fps feeds for live quad-channel switching. You can record each ISO stream simultaneously as separate ProRes or DNxHR files, while a fifth “program” channel captures your live-switched feed. Asynchronous switching eliminates the need for genlock-locked sources, simplifying multi-camera shoots with more affordable cameras.

    Recording prowess extends to high-quality codecs and resolutions: capture pristine Apple ProRes RAW masters at up to 6K 30 fps, or record 10-bit 4:2:2 ProRes and DNxHR up to 4K 60 fps. Built-in pulldown conversion, pre-roll recording, and custom LUT support give you full creative control, while embedded HDMI and SDI audio syncs perfectly with two full-size XLR inputs (with +48 V phantom power), dedicated meters, and frame-delay adjustments.

    The Sumo 19 SE's AtomOS toolset brings professional monitoring features to your fingertips: frame guides for any aspect ratio (16:9, 9:16, square, etc.), anamorphic de-squeeze, false color, focus peaking, zebra patterns, pixel-level zoom, waveform, RGB parade, and vectorscope overlays. Quad-view mode displays all four SDI inputs in a 2x2 grid, transforming the unit into a powerful multi-view monitor.

    Power options are flexible: dual 4-pin XLR battery inputs support continuous dual-battery operation via the included BattWing bracket (V-mount or Gold-mount) or direct 12–16.8V DC input. An AC power supply is also included for studio use. With only 75 W power draw, the Sumo 19 SE balances performance and efficiency for long shooting days.

    Supplied with desktop feet, mounting hardware, an AC power brick, BattWing plate, and a Master Caddy II, the Atomos Sumo 19SE delivers a turnkey solution for directors, DITs, and live-production teams—blending HDR monitoring, multi-channel recording, and live switching in one durable, high-performance package.

    Atomos SUMO 19SE Monitor-Recorder Tech Specs

    Sumo 19SE

    Physical

    Dimensions (W × H × D)

    504 mm × 310 mm × 63 m / 19.8″ × 12.2″ × 2.5″

    Weight

    6.2 kg / 13.7 lb

    Mounting Points

    Top: 4 × ¼″-20, 2 × ⅜″; Bottom: 6 × ¼″-20, 3 × ⅜″; Right: 4 × ¼″-20, 2 × ⅜″; Left: 2 × ¼″-20, 1 × ⅜″

    VESA Mount

    100 × 100

    Environmental

    Ambient Operating Temperature

    Up to 40 °C

    Construction

    Cooling

    Heat Sink + Actively controlled Fan

    Tally Light

    LED on the Front & Rear of the Device

    Multi-Function Button

    Power / Lock Screen

    Touch Screen

    Capacitive Touch

    Power

    Input Voltage

    DC 12 V to 16.8 V

    Operating Power

    75 W

    Compatible Batteries

    95 Wh+ V-Lock / Anton Bauer Gold Mount via XLR Terminal
    (Optional Mounting Plates available)

    Battery Voltage

    14.4 V Nominal

    Continuous Battery Power

    Dual Battery Input via dedicated 4-Pin XLR

    DC-In Connector

    1 × 4-Pin XLR for included DC Power Supply

    D-Tap

    Via optional D-Tap to 4-Pin XLR Cable

    Display

    Display Panel

    SuperAtom IPS Panel (Capacitive Touch)

    Size

    19″

    Resolution

    1920 × 1080

    PPI

    120

    Bit Depth

    10-Bit (8 + 2 FRC)

    Backlight Type

    Edge-Lit + Optically Bonded Quantum Dot

    Brightness

    1200 nits ± 10%

    Aspect Ratio

    16:9

    Color Gamut

    DCI P3

    Calibration Support

    ATOMOS Calibrator with Calibrite ColorChecker Display Pro or Display Plus

    Color Pipeline

    Gamma

    Sony S-Log / S-Log2 / S-Log3; Canon C-Log / C-Log2 / C-Log3; Arri Log CEI variants (160–1600); Panasonic V-Log; JVC J-Log1; RED LogFilm / Log3G10 / Log3G12; Fuji F-Log; PQ (HDR10); HLG; Nikon N-Log

    Gamut

    BT.2020; DCI P3 / P3+ / P3 65; Sony SGamut variants; Canon Cinema; Panasonic V-Gamut; Arri Alexa Wide; Rec709; JVC LS300; F-Gamut; RED DragonColor variants

    3D LUT Display

    .cube format (17 & 33 points supported)

    3D LUT Output

    Loop out

    3D LUT 50/50

    Via Compare option in LUTs menu

    Monitoring Modes

    Native / 709 / HLG / PQ / 3D LUT

    HDR Output Conversion

    HLG / PQ

    Color Management

    Calibration

    ATOMOS Calibrator with Calibrite ColorChecker Display Pro or Display Plus

    Display Controls

    Backlight, Lift, Gamma, Gain

    AtomHDR

    Built-in Technical Log to HDR EOTF

    3D LUTs

    Load .cube files from SSD into 8 slots on-device, for monitoring, optional baking, or HDMI/SDI output

    Legalize

    Full-to-legal range conversion via input menu

    Video Input

    HDMI

    1 × HDMI 2.0

    SDI

    2 × 12G SDI (6G/3G backwards compatible) + 2 × 3G SDI

    Bit Depth

    8/10-bit for video; up to 12-bit for RAW

    Chroma Subsampling

    YCbCr 4:2:0 & 4:2:2

    HDR

    HDMI auto detection

    Metadata

    White balance, exposure index, shutter speed/angle, iris/F-stop, ISO, gamma, gamut via SDI

    File Naming

    Scene/Shot/Take & rolling Scene/Shot/Take

    Via SDI

    Auto-matched filenames from supported Arri & RED cameras

    Video Output

    HDMI

    1 × HDMI 2.0

    SDI Loop/Play Out

    1 × 12G SDI

    Chroma Subsampling

    4:2:2

    Bit Depth

    10-bit

    HDR

    HDMI auto detection

    Video Signal Conversion

    HDMI → SDI

    Supported

    SDI → HDMI

    Supported

    Audio In/Out

    Audio Quality

    24-bit / 48 kHz

    Audio Codec

    PCM

    HDMI

    8 ch 24-bit, input dependent

    SDI

    12 ch 24-bit, input dependent

    Analog In

    2 × 3-pin XLR (female)

    Analog Out

    2 × 3-pin XLR (male)

    Speakers

    2 × built-in 5 W

    Headphone Out

    3.5 mm jack

    Timecode / Sync

    HDMI Embedded

    Supported

    SDI Embedded

    Supported

    Time of Day

    Supported

    LTC

    Via dedicated BNC input (record mode only)

    Genlock

    Supported (playback mode only)

    Resolution & Frame Rates
    (Record, Monitor & Playback)

    6K RAW

    Up to 6Kp30 via SDI

    4K RAW

    Up to 4Kp60 via SDI

    2K RAW

    Up to 2Kp240 via SDI

    4K DCI

    Up to 4Kp60

    4K UHD

    Up to UHDp60

    2K DCI 2048×1080

    Up to 2Kp60

    FHD 1080p

    Up to 1080p120

    FHD 1080p PsF

    Only via pulldown to progressive

    FHD 1080i

    1080i50 / 1080i60

    720p

    Up to 720p60

    Recording Codecs

    CDNG

    SDI RAW inputs up to 4Kp30 only

    Apple ProRes RAW

    ProRes RAW & RAW HQ

    Apple ProRes

    HQ, 422, LT

    Avid DNxHD

    220x, 220, 145, 36 (.MOV wrapper)

    Avid DNxHR

    HQX, HQ, SQ, LB (.MOV wrapper)

    H.265

    XQ, HQ, MQ, LQ (MOV)

    Recording Functions

    Pre-roll recording: 8 s HD / 2 s 4K (ProRes & DNx only)

    Timelapse: Supported

    ISO recording: 4 × ISO up to 1080p60 (3G SDI Level A only)

    Switched program record: Supported

    Playback

    Playlist: Selected clips, favorites, or combined

    Loop: Supported, with user-customizable In/Out markers

    CDNG: Not supported

    Apple ProRes RAW: Recorded clips only

    Apple ProRes: HQ, 422, LT (Linear PCM audio only)

    Avid DNx: DNxHD 220x/220/145/36 & DNxHR HQX/HQ/SQ/LB (Linear PCM audio only)

    Multi-Input & Switching

    Dual input display via Multi-ISO mode

    Multiple SDI input: Up to 4 × 1080p60 (3G SDI Level A only)

    Multiview display via Multi-ISO mode

    Input switching: Supported

    Supported Media

    Master Caddy I

    Not supported

    Master Caddy II

    Supported

    Master Caddy III

    Supported

    SSDmini

    Supported (AtomX SSDmini handle required)

    CFast 2.0

    Not supported

    File System

    exFAT

    Interface

    SATA 3.0

    Capture to Cloud

    Via Atomos Cloud Studio

    On-Screen Tools

    Waveform

    3 sizes – adjustable opacity & brightness

    RGB Parade

    3 sizes – adjustable opacity & brightness

    Vector Scope

    2 sizes – adjustable opacity & brightness

    1× Zoom

    Tap to zoom

    2× Zoom

    Tap to zoom

    Focus Peaking

    3 modes – color, B&W, outline; adjustable intensity

    Zebra

    Adjustable threshold (50%–105%)

    Isolate Color Channel

    Blue only

    Cine Frame Guides

    2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3

    Social Frame Guides

    9:16, 1:1, 1.91:1, 4:5

    Safe Areas

    SMPTE safe title area – 93% & 90%

    Grid Markers

    9 grid

    Anamorphic Desqueeze

    2×, 1.8×, 1.5×, 1.33×, 1.25×

    Display Flip

    Vertical

    Colorized Exposure

    Atomos False Color

    Onboard Signal Processing

    4K UHD downscale for HD (loop out)

    DCI crop (loop out)

    6K RAW to 4K video loop out

    Interlaced to progressive (2:2 & 3:2 pulldown)

    NDI HX3

    Optional activation via my.atomos.com

    Remote Control

    HDMI

    Trigger via camera record button – Canon, Sony, Atomos standard, timecode

    SDI

    Trigger via camera record button – Arri, Canon, Ikegami, JVC, Panasonic, RED, Sony, timecode

    Serial 2.5mm Jack

    Start/stop recording via LANC remotes (calibration via optional USB-to-serial cable)

    Bluetooth LE

    Via AtomRemote app

    Wireless RF

    AirGlu™ gang control

    External Device Control

    Serial 2.5mm Jack

    Z CAM camera control via remote-to-USB-C cable

    Cut & Tag

    FCP XML – up to 10 tags per clip & multicam with transitions

    Supported Applications

    Apple Final Cut Pro, Adobe Premiere, Avid Media Composer, Grass Valley Edius, ASSIMILATE SCRATCH, FilmLight Baselight

    Video Codecs

    All NLE apps supporting Apple ProRes & Avid DNx in .MOV wrapper

    Atomos SUMO 19SE

    • Atomos SUMO 19SE Monitor-Recorder
    • 1x Master Caddy II
    • 1x BattWing mounting bracket
    • 2x desktop feet with 4x ¼"-20 mounting screws
    • 1x XLR power supply
    • Limited 1-Year Warranty (up to 3 years with product registration)


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