DaVinci Resolve Studio License Code - DV/RESSTUD
  • DaVinci Resolve Studio License Code - DV/RESSTUD
  • DaVinci Resolve Studio License Code - DV/RESSTUD
Price: $325.00
MSRP: $325.00
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    • This purchase is always for the latest available version
    • Advanced Node-Based Color Correction
    • Complete, Non-Linear Professional Editor
    • Edit, Grade, Finish, and Deliver
    • Multi-User, Same Timeline Collaboration
    • This product is also available with a dongle option.
    • Click here for the dongle-activated version of DaVinci Resolve Studio.
    Item # BMD-DV/RESSTUD
    Mfr # DV/RESSTUD
    UPC # 9338716005042
    BA # BLDRCCS2
    AS # B076CQPVCF
    AD # BMDVRS

    DaVinci Resolve Studio

    DaVinci Resolve Studio, from Blackmagic Design, is a renowned advanced color correction software and now also a full-fledged, non-linear editing system. It even allows to you to import projects from other NLEs, such as from Premiere Pro, as XML files. You can edit, color correct, finish, and deliver all from one system. Moreover, Resolve is highly sophisticated and oriented at the same time toward the individual user, large collaborative teams, and the growing studio owner. It's completely scalable and resolution independent, so it can be used on set, in a small studio, or integrated into large production pipelines.

    Resolve is a node-based color grading system - nodes being similar layers - where each node can have color correction, isolated areas (power windows), and effects, and in which unlimited numbers of nodes can be joined together sequentially or in parallel. In all, you can combine grades, effects, mixers, keys, and plug-ins in any order to create limitless color effects and unique looks. This is the core of Resolve's color grading functionality, and there are hundreds of advanced features and capabilities in addition, such as grading from raw Files, automatic color matching, and 3D tracking.

    The editing functionality in Resolve is designed to handle TV dramas, commercials, multi-camera productions, and all other project types from the smallest to largest. The trimming tool is context sensitive, meaning that based on where you position the mouse cursor on the timeline, Resolve will automatically switch to the trimming function you need, so you can ripple, roll, slip, slide, or extend and shorten your footage without having to manually switch tools. As for collaborative support, Resolve allows multiple people to work together on the same timeline at the same time. This is a major time benefit when each user is assigned a specific task. As with the grading side, the editing side also has hundreds of other features and capabilities.

    Resolve is scalable and supports multiple GPUs all working together. You can use multi-GPU systems such as the Mac Pro or build a dedicated Windows system with up to 3 GPUs. Resolve also features advanced media management tools designed for editorial and color workflows. You can move, copy, consolidate, relink, and archive media, timelines, or entire projects. Resolve's clone tool will back up your valuable camera files on location so you can copy camera files to multiple destinations with checksum validation for safekeeping while you're still on set.

    Resolve is also capable of editing metadata, syncing sound, and prepping footage for editing, grading, or visual effects. Resolve supports almost any format, and also includes powerful delivery options for versioning, finishing, and delivery at any resolution and format, so you can export for various destination types. Resolve works from your camera originals so your finished master is a first generation graded copy of the original camera raw files. Additionally, exporting can take advantage of remote rendering, using another Resolve on the network to render the job.

    All image processing is at 32-bit floating point and Resolve uses a unique YRGB color space for grading. These two features combine to give you a dramatically wider color correction range, and you'll be able to adjust the luminance gain of your video without rebalancing the color of your whites, mids, or blacks.

    Resolve was designed with the ability to integrate with dozens of other applications so that you can focus more on your project. Resolve can share sequences and round trip projects with Final Cut Pro X, Media Composer, Premiere Pro, and other editing, audio, and VFX and motion graphics software. You can edit your project on any system, then link back to your full quality camera raw files using XML, AAF, or EDL and finish in greater bit depth with Resolve. You can also use AAF export to send a project to ProTools with discreet audio clips and a single layer video mix down for audio finishing. Get support for multiple GPUs, 4K output, motion blur effects, temporal and spatial noise reduction, 3D tools, remote and multi-user collaboration tools, and more with DaVinci Resolve Studio. For an even more enhanced workflow, you can incorporate the optional Resolve Advanced Panel, which is an award-winning control surface for more precise color correction.

    Note: Your purchase will provide you with the most recent version of Resolve Studio. Resolve Studio is compatible with Linux only when an optional Resolve Advanced Control Panel is incorporated. In such case, dedicated Linux features will also be available .

    New Features

    Color

    Automatic Processes
    Automatic color match grade from one to many clips
    Automatic 3D perspective object multi-point tracker

    User Interface
    Offline clip icon displayed if media is missing from media pool or storage

    Custom Curves Grading
    Custom Curves with bezier handle control
    Image contrast adjustable with flexible curve end points
    HDR curve control for extended dynamic range images

    Secondary Grading
    Additional advanced 3D keyer with multiple additive isolation qualifiers
    Keyer Finesse controls also include Clean Black and Clean White

    Power Windows
    Conversion of Circle, Linear, and Polygon windows to PowerCurve window

    Automatic Object Tracking
    3D Perspective object tracking
    Support for insertion and deletion of window shape points even after tracking analysis
    Automatic keyframe blending between PowerCurve/Polygon window control points

    Internal and External Key/Matte
    Connect RGB to KEY node and KEY to RGB node for extended key grading control

    Fully Nodal Processing Architecture
    Quick and simple node graph clean up tool

    Compound Node Flexibility
    Multiple nodes can be combined and displayed as a single node
    Compound nodes include one full featured downstream corrector
    Compound nodes can be opened and edited and saved
    Store Memories, Stills, and PowerGrades as Compound Nodes
    User locks of Compound Nodes permit sharing without revealing internal structure

    Clip Version Grading
    Delete unused version option

    Clip Group Grading
    Pre or Post clip group grade can be collapsed into the main clip node graph

    DaVinci Managed Colorspace Grading
    User selection of Source, Timeline, and Output color space
    Mix REC.709, BMD Film, Linear, 2.2 gamma, etc. with a consistent monitor and output color space
    REC.709 timeline default simplifies grading with multiple source color spaces

    ACES Colorspace Grading
    ACES Colorspace v1.0 transform support

    Panasonic Varicam Grading
    Real-time decoding and playback of Panasonic Varicam 35 clips
    Automatic color space and decode config using camera metadata

    Copy Grades Between Clips
    Add Correction and Add Correction With Keyframes can be selected from one thumbnail to multiple

    Ripple Grades Between Clips
    Ripple from one clip to many
    Ripple from one clip to selected group
    Ripple and append new node to many clips


    Edit

    Editing
    Support for audio plug-ins
    Simplified Option click single track Auto Track selection
    Enhanced Edit/Media playback to prioritize audio for slow codecs or complex grades

    Flexible Full Featured User Interface
    Flexible User Interface with top down selections of display layout
    Select just Timeline and viewers or add Inspector, mixer, media pool and effects as you need
    Fit to screen toggles on Edit and Color pages with position memory
    Title and transform motion paths are visible and editable on the viewer
    Motion paths include bezier handle control
    Reference video comparisons to timeline with SDI output

    Multi-Cam Editing
    On-the-fly optimized media for smooth multi-cam playback
    Sync clips by timecode, in/out point, audio, or manually
    User selection to switch or cut to alternative angle
    User selection to for video only, audio only, or both
    Angle selection by mouse or keyboard
    Cuts honor Link Selected modes

    Timeline and Viewers
    Option clicking to split video and audio during roll

    Trim Edits
    Multi-selection trimming of edits or clips
    Asymmetrical trimming of multiple clips on the same track
    Double click trim modes to place in source viewer

    Audio
    Real-time audio playback of multiple audio channels even in reverse play
    Smooth audio playback for frame-by-frame playback, nudge, and JKL fast and slow stepping
    Smooth audio playback for JKL and dynamic JKL trimming
    Constant Audio sync with video for easy to the word editing
    Re-sampled audio for speed changed clips
    Support for 32, 44.1, 48, 88.2, 96, 192 kHz audio
    Audio only clips can be edited and rendered
    Support for audio Automation controls

    Audio Plug-In Support
    Support for a wide range of VST and AU plug-ins
    Multiple plug-ins can be applied per clip or per track
    Support for a wide range of VST and AU plug-ins
    Edit page inspector used for most plug-in controls
    Support for plug-in user UI controls

    Timeline List
    Timelines can be nested and edited just like compound clips
    Nested Timelines can be decomposed and re-edited
    Timelines and timeline folders consolidated into Media Pool for simple select all operations

    Transitions
    Curve editor for transitions provides ultimate flexibility and effect control

    Scalable Power

    Quality Image Processing
    DaVinci Color Managed Color Science

    Dynamic Multi-Point Render Cache
    User selectable render cache of clips in multiple layer composite
    User selectable Render Cache for final render option


    Media

    Real-Time Mixed Image and File Support
    Optimized media and proxy support for using the same project on systems with different performance

    Media File Flexibility
    Media Storage Favorites to quickly find commonly used folders
    Generation of subclips from the Media Storage or within the Media Pool
    Media Pool Smart Bins with non-destructive sort filters and nested selection criteria
    Display name column in Media Pool offers simple-to-advanced tag based naming on any or multiple clips
    Drag and drop clips from desktop to Media Pool bins or Timelines
    Simple one folder re-link operation for offline clips

    Media Management
    Clips and Timelines can be copied, transcoded, moved, and deleted via media management rules
    Copied, transcoded, and moved clips can be automatically relinked to current timelines
    Full source clips, as used or used with handle controls for media management operations
    LUTS, stills, and cache can also be archived and restored

    Camera Codec Support
    Panasonic Varicam v35 and HS


    Delivery

    Delivery
    Export to ProTools with separate audio clips, single layer video mix-down, and AAF
    Render Audio only clips
    Render Sony XAVC Intra


    Control

    Multiple Panel Support
    Supports Tangent Devices Wave and Elements, JL Cooper Eclipse, Avid Artist Color, and Oxygentec ProPanel control panels


    All Features

    Workflow

    Grade Live On Set
    Grade real time video direct from the camera
    Primaries, secondaries, power windows and more
    Confirm lighting and camera angles on set
    Save looks that can be applied to you camera raw files during grading
    See exactly how your shots are going to look when finished

    Post Production
    Vast native camera file and video format support
    Work from your camera original files without conversion
    Edit and grade virtually any type of footage in real time

    Collaborative Editing and Grading
    An editor and multiple colorists can work on the same timeline from different workstations simultaneously to complete a shot
    Break down a large job into parts that can be worked on separately

    Editing and Grading for Photographers Turned Cinematographers
    Raw image and color grading controls
    Adjust images precisely or use a color chart to automatically balance your footage

    Remote Grading
    Choose your favorite colorist for the job, wherever they are in the world
    Work over a regular Internet connection, in real time

    Multi-Camera Productions
    Resolve's multi-cam tool lets you sync cameras manually using marked points or automatically using timecode or audio waveforms
    Switch cameras as if cutting live
    Go back and refine the cut with b-roll or alternate takes, or intercut with other multi-cam timelines

    Episodic Television
    Resolve's compatibility with editing systems lets colorists start grading before the final edit is complete
    Every time changes are made in editorial they can be sent to Resolve and the timeline will update automatically
    You can work right up to the on-air deadline and deliver the final master as soon as you complete your grade

    Supporting Freelance Editors
    Resolve simplifies and facilitates creating files and round tripping projects with editorial
    Manage media, sync audio, and convert raw footage into ProRes or DNxHD proxy files for use in FCP X, Avid, or Premiere
    Track the relationship between proxies and your original footage for finishing
    After editing Resolve will automatically reconnect the edited sequence to the original camera raw files


    Color

    Unlimited Grades
    Node based processing; each node can have its own color correction, etc.
    Join nodes sequentially or in parallel
    Combine grades, effects, etc. in any order
    Collapse nodes into a compound node

    Grading from Raw Files
    Extensive control over raw images
    De-bayer with highlight recovery, white balance, color space, and gamma controls
    Fine-tune exposure, sharpness, etc.

    Primaries
    Balance an image prior to color correction with the primary color corrector
    Set lift, gamma, and gain with Resolve's YRGB color space and ACES 1.0

    Precision Secondaries
    Target specific areas of the image
    Drag over an area to pull a clean key and isolate areas
    For complex grades, Matte Finesse controls ensure everything blends seamlessly

    Automatic Color Match
    Automatic primary base grade by analyzing shots containing standard color charts
    Applicable to film, video, or raw footage
    Set source gamma, target gamma, and target color space for the chart used
    Identify the color chip chart and Resolve will balance the shots, even if from different cameras, etc.

    Automatic Shot Matching
    Select similar clips, and Resolve will analyze the image and give you balanced images; then customize each clip

    Power Windows
    Isolate specific areas in the image
    Create an unlimited number of Power Windows
    Combine Power Windows using matte and mask controls
    Automatically follow objects using multi-point tracker

    Stabilization and 3D Tracking
    Lock Power Windows to on-screen objects with perspective matching
    Auto tracking, no keyframes

    Optical Quality Reframing
    Sub pixel processing retains quality when you reframe, zoom, etc.
    Fix shots in full quality

    RGB Mixing
    RGB mixer grading control of red/green/blue gain for each color, blend, and mix channels
    Swap inputs for extreme effects or make sections of your image monochrome

    Unique YRGB Color Space
    Deeper bit depths combined with YRGB control provide a wider color correction range
    Adjust luminance gain without rebalancing whites/mids/blacks

    ACES 1.0
    Support for DaVinci's color managed timelines and ACES 1.0 linear standard

    Custom Curves and Soft Clip
    Define a curve using Bezier handles
    High and low soft clip processing and softness - per channel or ganged
    YSFX luminance and saturation effects supported

    HSL Curve Grading
    Adjust hue, saturation, or luminance on a curve graph with an NLE-style grading workflow
    Pick colors from the image and use bezier handles for curve control

    Creative Tools
    Add OpenFX plug-ins or built-in gaussian blurs, sharpen, and mist on unlimited nodes in real-time
    Image sharpening and mist effects for finer atmosphere and texture control

    Real-Time Noise Reduction
    Spatial and temporal noise reduction
    Noise reduction within Power Windows

    Open FX Plug-Ins
    Supported on the editing timeline and in color nodes
    3rd-party plug-ins supported
    32 bit float GPU based processing - get results even when using 3rd-party plug-ins

    Gallery Stills and Grades
    Save/share stills, copy your own grades
    Copy primary/secondary grades and compound nodes to individual/groups of/all clips

    Real-Time 3D Stereoscopic
    Edit, grade, display 3D stereoscopic timelines in real-time
    Side by side, line by line, checkerboard, and anaglyph comparison
    Auto 3D alignment to remove color or alignment errors
    Adjust convergence pan/tilt/zoom, and immediately see the results
    You can also begin with a 2D timeline and copy the grades to the other eye for trimming

    Move Grades Between Systems
    Grade and finish projects started in other NLEs
    Support for ASC decision lists


    Edit

    Comprehensive Editing Tools
    Full multi-track support with fast and familiar editing tools
    Keyboard shortcuts and toolbar buttons to mark edit points, insert tracks, delete clips and more
    Drop clips into the timeline or drag them over the edit pop up window to quickly insert, replace, etc.

    Context Sensitive Trimming
    Fine-tune your edit using context sensitive tools
    Ripple, roll, slip, slide, extend, or shorten edits without changing tools, depending on where you place the cursor
    Trim, slip, or slide multiple shots on the same track simultaneously either in the same direction or asymmetrically

    Multi-Cam Editing
    Quickly cut programs while playing back multiple sources in real-time
    Synchronize camera angles based on timecode, in/out points, or automatically based on audio waveforms
    The source monitor displays a grid containing the camera angles and plays them back in sync while you make cuts
    After your first cut, you can go back and switch to a different camera angle, change audio tracks, or trim clips

    Multi-Layer Timeline
    Multi-track timeline lets you layer titles, motion graphics, and blue or green screen shots over background video tracks
    Add notes to entire segments or a specific frame in the timeline using color coded flags and markers
    Timelines can be nested, edited together, and expanded or collapsed in place

    Mixed Format Timeline
    Mix and match different formats and resolutions in the timeline with real-time sizing and playback
    Real-time de-bayering and processing, regardless of the native format
    Edit wide dynamic range raw files or codecs without ingesting or transcoding and without losing quality while making proxies

    Creative Transitions
    Multiple built-in real-time transitions including cross and additive dissolves, wipes, and dip to color
    Align transitions on the center, start, or end of the edit
    Adjust transition duration dynamically and set ease in and out points
    Transitions from FCP X and other NLEs come in via imported XML and AAF's
    Use your favorite OpenFX plug-in for those extra special transitions between clips or tracks

    Optical Quality Re-Framing
    Reframe shots directly in the edit page and take advantage of optical quality sub pixel image processing in real-time
    Resize 4K images to HD and reformat SD footage for your HD and 4K projects

    Optical Flow Retiming
    Resolve features nearest frame blend and an "Optical Flow" image processing engine
    Advanced algorithms create in-between frames in real-time
    Select the smoothest retimed clips whether you create slow or fast motion speed changes

    Custom Titles
    Title tools for creating lower thirds, scrolling text, and title cards with drop shadows, backgroSet text position, tracking, and line spacing, or adjust the stroke color and opacity to create professional titlesunds, and more
    There are composite modes, title transforms, and cropping tools, and you can even import titles from other NLEs


    Media

    Managing Media
    Centralized key functions on the media page
    View and play back files, sync sound, and trim longer shots into shorter manageable clips
    Organize media into bins and enjoy tools to update timecode, apply LUTs, change pixel aspect ratio, and more

    Clone and Backup Camera Files
    Resolve's clone tool copies media drives, memory cards, and camera packs to multiple simultaneous destinations
    All copies are checksum verified to give you exact bit for bit digital copies of your source media

    Metadata Tagging and Logging
    Resolve stores the metadata from cameras and digital slates with the clips you add to your Media Pool
    Add your own metadata templates and log data in real time and edit as soon as the camera stops rolling
    Export metadata to an ALE file compatible with Media Composer and other systems in your workflow

    Bins and Smart Bins
    Create bins to organize your footage
    Advanced search, sort, and sift tools help you quickly find the shots you're looking for
    Create separate bins for source footage, sound effects, and VFX shots
    Find shots in large projects by using search criteria based on whatever metadata you decide
    Smart bins automatically update as you add and remove shots from Resolve

    Audio Syncing
    Manually or automatically sync your footage while you are still on set
    Resolve's audio syncing tools will help create fast dailies

    Works with Virtually Everything
    Full unlimited editing and grading of DPX, CIN, EXR, QuickTime, ProRes, DNxHD, and MXF files all in real-time
    Import TIFF, JPEG, MOV, TGA, BMP, and every other supported file just by dragging it in from the your desktop
    Output H.264 for web streaming, self contained or single track MXF files, DCI compliant JPEG 2000, and more

    Camera Support
    Edit and grade directly from the wide dynamic range camera originals
    Compatible with CinemaDNG raw, Alexa raw and Amira, R3D files including +5K, monochrome, and HDRx images
    Also supports Cineform 3D, Phantom raw, GoPro, Nikon, C300/C500/1D/5D/7D, F65/F55/F5 raw (and XAVC variants), and more


    Delivery

    Creating Files for Editorial
    De-bayer camera raw images and export ProRes or DNxHD files to editorial
    Send an XML or AAF file back to Resolve, every time the cut changes
    Resolve tracks the relationship between editorial files and the camera original raw masters
    Instantly conforms the cut back to the highest resolution files available
    Edit and grade at the same time, round trip files with editorial, and never lose any grading work

    Creating Files for Visual Effects
    Export EXR or DPX image sequences for visual effects work
    As work in progress VFX shot sequences come back, create a folder for each day's VFX and link it to the timeline

    Delivering Master Output Files
    Output as the project appears on the timeline, or output individual graded source clips
    Export a high quality graded program or individual clips sequentially by reel name and source timecode
    Conform using original raw footage -- your final output is a first generation graded copy of the original files

    Digital Cinema Package Files
    Go from native camera raw to the silver screen in a single generation
    Enter EasyDCP license and open additional DCP authoring features to generate a DCP for theatrical distribution

    Delivering Files for the Web
    Export a huge range of compressed QuickTime formats including H.264 directly from the delivery page
    Author multiple files simultaneously from the timeline at different sizes/resolutions for custom delivery
    Files exported from Resolve can be used as the final delivery master or recompressed by streaming software for web delivery

    Render Queue
    Create queues for outputting jobs at a variety of sizes and in dozens of different formats


    Power

    Super Computer Based Grading
    Incorporate a multi-GPU off the shelf system such as the MacPro, or customize your own multi-GPU system
    Speed can be based on expander chassis or large workstation class PCs with multiple clustered GPU cards
    Multiple computers can also be linked via high speed 56 Gb/s InfiniBand links

    Storage Area Network Collaboration
    When collaborating with multiple people, a SAN is ideal for allowing everyone to access the same media
    Storage area networks allow a high speed direct connection to shared storage
    Resolve has the database and collaborative features to handle large SAN based workflows, so you can keep growing your facility

    DaVinci Resolve Studio

    What's Included

    • Blackmagic Design DaVinci Resolve Studio
    • Card with License Key / Activation Code

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    DaVinci Resolve Studio License Code - DV/RESSTUD